OCTOBER 25, 2008 BALTIMORE FRESH FEST II 6PM - 12AM.
A long day in the sun...........
cameo: Free Caddy!!!
100 Grand Man
cameo: Nik Styles (referee) 92Q's Rod Madd Flava (white tee left of Nik)
Tru Bill Entertainment and Charm City Records presents the 100 Boys
Tru Bill Entertainment and Charm City Records presents the 100 Boys
Cook out & Video shoot for "Time Out"
West Baltimore - Whitelock Forever
We Getting Money Over Here - KG
My Life
Feeling Myself / All About The Money
Fresh Fest II Audition Night @ the 5 Seasons (Afterparty) footage courtesy of a Charm City Representer
Youtube.com/CharmCityRecords
K G Spazzin at t Season after the Baltimore Fresh Fest Auditions. This is a Must see. K G is Spazzin if you from baltimore you going to like K G
Goto Youtube.com/CharmCityRecords.
- 100 Grand came and did his thing on the colabo with K G
- Real niggas do real things yah heard
Los (Bad Boy)- A Millie Remix [Voted Best Version!!!]
0 comments Posted by Baltimore Fresh Fest at 4:04 PM
MUSIC VIDEO DIRECTED BY
THE GRENCH for SLEEPIN GIANT MEDIA
Honorable Mention (7/2/08 Baltimore City Paper: NOISE)
0 comments Posted by Baltimore Fresh Fest at 7:17 PMExcerpt from:
Teop, Comp, Mullyman, Skarr Akbar, Little Clayway, Huli Shallone, Heavy Gold, 1st Family, SL Danga, Al Great, Sonar, June 26
"It only happens once or twice a year, but now and then it feels like the whole Baltimore hip-hop
community converges together under one roof for a particular show, where damn near half of it is on the bill and much of the remainder is in the audience networking. Usually, the occasion is the annual Bmore Fresh Fest or a similarly ambitious festival, but most recently it was a release party for a lesser known MC......"by Al Shipley
"........There aren't many other artists coming out of Baltimore. Do all of the artists support each other?
I would say there are two different movements going on down here. There's the local radio movement and the street movement. The street movement is the dudes who have a big buzz in the streets but don't have any local radio support. Those are the artists that have a harder time getting heard. Then you have the local radio side of things, where they play the people that are directly related to the people that work for the local station. It's not even like they play more commercial music. You just have two different movements going on at the same time.
All in all, I think in Baltimore, it's pretty good. People don't believe there's a movement down here. They think we're a crab city. But for the most part, I haven't had a lot of differences with a lot of artists. It's been very small on that end. I have pretty good relationships with everybody down here that I feel is talented and that I really respect. Currently there is a Baltimore Fresh Fest DVD that showcases Bmore's hottest acts in a April 2007 concert that took place under one roof for one night that was put together by Cee of Charm City Records. Hamsterdam 2 was a double CD and DVD that features Bmore's rising stars that was put together by DarkRoom Productions. There are outlets for artists here."
4/11/2007
Every few months, someone in Baltimore gets ambitious enough to put together a big, exciting bill full of local hip-hop's upper-echelon MCs--which, for lack of a better definition, we'll just say is anyone who had a trading card in last year's Big Music Issue. The annual B-More Fresh Fest is one of those events, and the lineup that Charm City Records and Star Status Entertainment put together for this past Monday's show might have been the best yet. Even artists not on the bill--Ogun, D.O.G., Midas, Twin Desert Eagles--were in the house as spectators, and it was exhilarating to arrive at 5 Seasons and see a long line to get in, with fancy searchlights shooting into the sky from the parking lot. We've seen enough sparsely attended Monday nights at Hip Hop 101 to know this isn't the norm, but it's tempting to dream that it someday could be. We missed what was reportedly a typically entertaining set by Comp; by the time we arrived, Huli Shallone and his crew were shouting themselves hoarse onstage over beats that should've been mixed way louder. Despite his radio spins and record sales rivaling those of any rapper in Baltimore, Shallone has often been on local hip-hop's periphery, rarely performing or doing press. The big buzz of the night was that Shallone had just signed a deal with Universal Records, though, and the crowd was hyped to see him in person (even if he eschewed his many singles familiar to 92Q listeners) as well as showcasing crew members like longtime Nature's Problem partner Ostro. This year's Fresh Fest was also loaded with subtext. The last time Bossman and Mullyman were scheduled to perform at the same show, at the Ottobar in 2005, it kicked off a prolonged beef between the two rappers, who dissed each other on record repeatedly. And although they never appeared onstage together or made mention of each other on Monday night, they performed almost in a row--with only a brief appearance by the ubiquitous TestMe between their sets--and there was remarkably little tension in the room. Mully hasn't dropped a solo mixtape in about a year, so most of his set was spent promoting other members of his crew, like Black-Lo and the ferocious female rapper (and Mully’s sister) Nik Stylz. But Bossman stuck to his hits, running through favorites like "A-Yo,” “You're Wrong," and his new single "So Fresh." First impressions of the relatively unknown K.G. and the Hartford Road Boyz were hampered by some technical difficulties with their beat CD. They soldiered on and performed their entire set a cappella, shouting entire songs in unison with no musical accompaniment other than the faint hum of feedback in their microphones--which actually sounded like a bass line at some points. It was a valiant effort, but also pretty unpleasant, albeit in an almost surreal, avant-garde way. After that grueling affair, the next set by Barnes acted as a palate cleanser as he ran through a few tracks from his solid 2006 album The Last Shall Be First. The night ended on a high note as Skarr Akbar took the stage. Skarr seemed especially pissed-off when he began his set, which says something considering that we've never seen him perform without looking at least a little angry. But that rage fuels his best songs, and he blazed through high-energy tracks like "Bang" and "Da Business" one after another, never losing momentum. And he saved the best for last, assembling Bossman, Barnes, SK, and Heavy Gold--D.O.G was onstage, too, but the mic never found its way to him--for an all-star live performance of the remix of Akbar’s current hit “I’m So Fly.” As recently as a year or two ago, a posse cut with that many A-list Baltimore rappers was practically unheard of, but such displays of unity are increasingly commonplace, and we couldn't be happier. In the weeks leading up to the Fresh Fest, host Sonny Brown had been floating the idea that Lil Wayne would be making a special guest appearance--despite the fact that his Baltimore tour date was a week earlier--and while we didn't dare get our hopes up enough to be disappointed when he didn't materialize, another (semi)famous New Orleans rapper did close out the show. Chopper--aka Young City--rose to prominence on MTV's Making the Band 2, and since Diddy disbanded Da Band, he has been struggling to get his career going with aborted solo deals with Bad Boy and then Cash Money Records. But for all the Louisiana repping he did on TV, he actually has Baltimore roots, having lived here a few years ago and worked with local producers like Akira the Great and Debonair Samir. Mostly, though, he's been linked with Maryland lately due to a robbery charge from a few years back that’s been playing itself out in a Baltimore County courtroom for the past few months. Throughout his set, Chopper repeatedly mentioned being born here, even referencing Baltimore club with a quick chorus of "Hey U Knuckleheads." But he's undoubtedly a Southern rapper, and stuck out like a sore thumb as the only artist on the bill to perform shirtless, tatted up, and wearing a shiny necklace and grill. By that point, the audience had begun emptying out of the building, and some of those who remained were laughing at and mocking Chopper's dancing. Baltimore rap fans got such an overdose of hometown pride that night that apparently they just didn't have much interest in checking for someone who's only a kinda-sorta local boy by circumstance.
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